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How can mispronouncing, altering, or altogether changing students’ names affect their personal, educational and social trajectories? Why is it important to change the narrative around names that some might consider difficult to pronounce and what can we do to begin? We discuss these topics and much more with N’Jameh Camara. We first learned about N’Jameh’s work through an article she wrote called, “Names that Are Familiar to You Aren’t Hard, They’re Just “Unpracticed”.
N'Jameh Camara is an actor and author currently residing in New York. She is a proud first generation American of Filipina and Gambian roots. Having recently wrapped up the post-Broadway run of JUNK by Ayad Akhtar, she is currently performing in Macbeth at Classic Stage Company directed by John Doyle. She also did a year long run in the principal role of Nettie in the Tony Winning Revival of The Color Purple Broadway Tour, directed by John Doyle. Other credits include the World Premier of X: or Betty Shabazz vs. The Nation by Marcus Gardley, the Off-Broadway run of Julius Caesar and a Bobby and Kristen Anderson Lopez World Premier of Up Here at the La Jolla Playhouse, directed by Alex Timbers. Her voice can be heard on Amazon’s Audible, narrating audiobooks for young adults from Penguin Random House Publishing. For more information, check out the books, “Harbor Me,” “We Rise, We Resist, We Raise our Voices,” “A Peoples’ Future of the United States,” “You Bring the Distant Near,” and Fumbled and Gravity.
N'Jameh received her Master of Fine Art from UC San Diego and has taught acting and movement workshops at various universities including Loyola University- New Orleans, UC San Diego, SUNY Oswego, Northern Arizona University and University of Central Missouri. She is a current member of the Voice and Speech Trainers Association where she presented on Intersectional Arts Pedagogy in Singapore at the 2017 VASTA conference. As well as acting, N’Jameh enjoys writing and is currently working on her first book. She has also written and performed a one woman show about a young Maya Angelou, Marguerite to Maya. The show was developed with the Ubuntu Theater Project and was performed at Studio 67 in Oakland, CA, The Alameda Juvenile Detention Hall and the Eugene O'Neill Tao House for New Play Development. Other writing credits include The Monologue Project.
During our conversation, we referenced the following resources:
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